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This talk was given as part of a debate with Andrew Whiten, Patrick Bateson and Caroline Humphrey, entitled 'Do humans own culture?'. It was organised by the Royal Society and the British Academy on 2 October 2002.


For a discussion of Enlightenment and Romantic views of culture, and of the role of Romanticism in the development of the modern anthropological concept of culture, see The Meaning of Race, especially chapters 2, 3, 5 & 6. See also my paper Race, pluralism and the meaning of difference and my review of Isaiah Berlin by Michael Ignatieff.


My paper Human nature, human differences and the human subject explores the problems with the view that culture simply delineates differences.


For a discussion of the relationship between humans and other animals, see Man, Beast and Zombie, especially chapter 8. See also my review of Animal Minds by Donald Griffin and The Ape and the Sushi Master by Frans De Waal.


There is an online database on chimpanzee culture.

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do humans own culture?

There are two issues at the heart of this debate. First, the question of what constitutes culture. And second, the question of the relationship between humans and non-human animals. Or, to put it another way, of how we should conceive what it is to be human. The answers to the two questions are, as might be expected, closely connected.

The historian Raymond Williams once described culture as the most difficult word to define in the English language. But behind the complexities of the various meanings of culture, there are two broad ways of thinking about it pertinent for this debate. At the risk of over-simplification, one can call them the Enlightenment and the Romantic visions of culture.

Enlightenment philosophes talked of civilisation rather than culture and through it they expressed three key ideas. First, they saw culture or civilisation as a single phenomenon, an expression of human universalities, rather than of human differences. Second they understood it as transformative, as an expression of human agency. Culture was as much about our emancipation from nature as of our embodiment in it. And thirdly, it expressed their belief in progress - technological, moral and social.

The Romantic view of culture developed through the nineteenth century directly in response to such Enlightenment beliefs. Romantics saw not a single civilisation, but a plurality of cultures, each rooted in a particular people's history and myth. Culture, therefore, was an expression of differences, not of universals; and of a putative past, rather than of a potential future.

Anthropologists influenced by this tradition came to view culture as functional rather than as transformative, that is as something essential for social integration and stability, and hence downplayed the role of agency in human life. Both the Enlightenment and Romantic ideas of culture embodied, then, particular (and very distinct) visions of what it is to be human.

What has this to do with the debate about chimp culture? Over the past century the Romantic view of culture has come to dominate both academic anthropology, and our everyday notions of culture. It also underlies the concept of culture that Andrew Whitten has outlined. Professor Whitten's view of culture as consisting of habits acquired from others, and as an expression of differences within a species, is a naturalised version of the Romantic idea. It is, I think, a useful way of thinking about chimp behaviour - but not about human culture.

Humans do not simply acquire habits from others. We also constantly innovate, transforming ourselves, individually and collectively, in the process. There is a fundamental distinction between a process by which certain chimpanzees have learnt to crack open palm-nuts using two stones as 'hammer' and 'anvil', and a process through which humans have created the industrial revolution, unravelled the secrets of their own genome, developed the concept of universal rights - and come to debate whether we own culture. For humans, as Enlightenment philosophes understood, culture is as much about historical progress, and the creation of universals, as about the delineation of differences of habit.

Andrew Whitten suggests that understanding culture in chimps may help us understand culture in humans, and hence to understand better what it is to be human. Maybe. But the concept of culture he employs already embodies a view of what it is to be human, and one that has been fashioned during 200 years of debate about human culture.

To accept that studies of chimpanzee culture can illuminate human culture, we already have to accept a particular (highly contested) notion of what culture is, and what it is to be human. Or, to put it another way, chimpanzee studies can illuminate human culture, if, and only if, we have already accepted that chimp culture and human culture are not that different - in other words, we have already accepted what we set out to prove in the first place.

Many animals may well be cultural creatures under a naturalistic definition. But humans are entirely different sorts of cultural beings. In the six million years since the human and chimpanzee lines first diverged, chimpanzees have evolved, but, in comparative terms, their behaviour and lifestyles have barely changed. Human behaviour and lifestyles have clearly transformed out of all recognition.

Humans have learnt to learn from previous generations, to improve upon their work, and to establish a momentum to human life and culture that has taken us from cave art to quantum physics and the conquest of space. It is this capacity for constant innovation that distinguishes humans from all other animals. All animals have an evolutionary past. Only humans make history.

History is not the expression of a ratchet effect. Rather it is an expression of humans as a different kind of being. Uniquely among organisms, humans are both biological beings, under the purview of biological and physical laws, and also self-conscious agents, with purpose and agency, able to design ways of breaking the constraints of biological and physical laws. We are, in other words, both immanent in nature and transcendent to it. Understanding human culture means also understanding the peculiar ontology of being human.